JLO. Before Jennifer Lopez’s fans laid claim to this three-letter combo, it was the acronym for the unique youth theater group I participated in from 1970 to 1975, playing a role either backstage or, later, onstage in over twenty musicals, comedies, dramas and children’s theater. During the years I was a member of ‘Junior Light Opera’, it was a group of some seventy youth, ages five to twenty and just two facilitating adults — my speech and stagecraft teacher Michael and a school orchestra teacher named Sue. Michael played a pivotal role in funding the enterprise, picking the plays, pulling the key team members (producer, director, etc.) for each play. Sue, our musical director, would recruit and rehearse a full youth orchestra of maybe twenty kids from her various orchestra classes. Given that, the bulk of the responsibility was distributed to their company of talented youth. Unlike any other youth theater group I have seen where all the key jobs — director, producer, lighting and set design, costumer, choreographer — are performed by adults, a typical JLO musical had teenage youth in these critical roles. For example, we did the musical ‘Oliver’ with a seventeen-year-old director, a thirteen-year-old choreographer, an